Corine Van Voorbergen
Corine van Voorbergen is an intuitive artist. Through her minimalistic round art forms she focusses on the idea of eternal movement. In her current series “Through the Brass Eye of the Beholder” she evokes a certain feeling in the viewer through her use of colour, visual depth and natural flow. Corine constructs her art pieces with layers and layers of different mediums and finishes the work off with a thin layer of epoxy. The epoxy reflects the surroundings back to the beholder.
A chance encounter in Milan led to a discovery of Corine's beautiful work and a collaboration now in place since 2019. We are delighted to be able to bring Corine's captivating work which scintillates with movement and shade to our London gallery.
Studio Earle
Earle takes inspiration from the Abstract Expressionist movement, pushing narratives through harmonious geometric and organic shapes. Working with the notion of memories, characters and legends, Earle assembles paper cut models before scaling up on to canvas, textiles or metalwork. Each unique project challenges viewers to reflect and relate to their personal narrative.
Martin Berger
Born in 1964, living and working in Grenoble, France. Martin Berger delicately and purposefully engraves his gestures and impressions of time into the dense material within which he works. Educated at the École du Louvre, he draws inspiration from nature and from studies of form within the decorative arts, hugely inspired by the ideas of the turn of the 20th century. Aesthetics and beauty are quintessential to his works, joining as they do so completely with the environment into which they are placed. In doing so, Martin Berger offers the spectator immersion within the ever-changing universe. His pieces move with a slow, hypnotic, and sometimes even mechanical pace, honouring the kinetic and optical art of the 1950s. Searching for a prolongation of gesture and time, his idols are as varied as Jérôme Bosch to Frank Stella; Julio Le Parc to Antoni Tàpies. Martin Berger's work can be viewed publicly and privately in collections in Paris, London, Hong-Kong, Shenzhen, Dubaï and Geneva.



